Jul 23, 2014
Professor's productive year saw exhibitions, acquisitions, residencies, travel, and press
May 19, 2014
2014 Student Summer Show
Jul 22, 2014
CIA grad's iconic monument to be rededicated
Jul 05, 2014
60 Looney Tunes cartoons coming to the Cinematheque
about 15 hours ago via Facebook
Plan your weekend early: This Sunday, July 27, from 2-4pm, CIA’s Printmaking Department will host internationally exhibited printmaker Katsunori Hamanishi for a demonstration of his mezzotint technique in our new printmaking studios in the Joseph McCullough Building. Free and open to the public!
Jul 22, 2014
Thursday night concert series rocks CIA's neighborhood
Jul 27, 2014
Visiting printmaker Hamanishi demonstrates mezzotint technique
Jun 25, 2014
Cuyahoga County unveils county seal designed by CIA student
Aug 28, 2014
2014 Faculty Exhibition Opening Reception
Jul 23, 2014
7/24-26: The Lunchbox, Tweety & Sylvester, Richard Myers & more!
Blog . Light Painting With iPads
Making Future Magic: iPad light painting from Dentsu London on Vimeo. An amazing technique using an iPad to combine long exposure photography, 3D modeling, and stop motion animation. Check out the results in the video above! First we create software models of three-dimensional typography, objects and animations. We render cross sections of these models, like a virtual CAT scan, making a series of outlines of slices of each form. We play these back on the surface of the iPad as movies, and drag the iPad through the air to extrude shapes captured in long exposure photographs. Each 3D form is itself a single frame of a 3D animation, so each long exposure still is only a single image in a composite stop frame animation. - BERG and Dentsu London Other artists have explored the possibilities too. Source Data for Photography/12:31 from Croix Gagnon on Vimeo. The above video of a cadaver was played while the screen was lifted through the air. The resulting long-exposure photographs are eerie. In 1993, a convicted murderer was executed. His body was given to science, segmented, and photographed for medical research. In 2011, we used photography to put it back together. This animation represents the entire data set (1,871 slices) of the male cadaver from the Visible Human Project. The animation was played fullscreen on a computer, which was moved around by an assistant while being photographed in a dark environment. The resulting images are long-exposure "light paintings" of the entire cadaver. Variations in the movement of the computer during each exposure created differences in the shape of the body throughout the series. - Project 12:31
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