Jul 22, 2014
CIA grad's iconic monument to be rededicated
May 19, 2014
2014 Student Summer Show
Jul 22, 2014
Thursday night concert series rocks CIA's neighborhood
Jul 05, 2014
60 Looney Tunes cartoons coming to the Cinematheque
a day ago via Facebook
The "small and mighty" Cleveland Institute of Art is profiled in this blog post from Art. College. Life. Read more about us in the article below.
Jul 11, 2014
Hispanic teen mentored by 2012 grad has hopeful future at CIA
Jul 27, 2014
Visiting printmaker Hamanishi demonstrates mezzotint technique
Jun 25, 2014
Cuyahoga County unveils county seal designed by CIA student
Aug 28, 2014
2014 Faculty Exhibition Opening Reception
Jul 22, 2014
Manakamana (2013) trailer
Academics . Courses
Ceramics: Raw Materials
Course No. CER449.1 Credits: 3.0
This course will combine ceramic fabrication skills with an emphasis on clay body formulation and glaze testing and development. Students will learn press molding, tile making, and hand-building skills along with clay and glazes for multiple uses and temperatures. Class will include lectures, lab work, and instruction in firing gas and electric kilns. Lectures will address historical and contemporary ceramic works, along with technical issues. Required of all Ceramic Majors. Open to all. 3 credits.expand collapse
Ceramics: Surface & Form
Course No. CER455.1 Credits: 3.0
Students will work on assigned and self-proposed projects which explore the ceramic surface in relationship to two and three-dimensional form. Concepts and critical theory will be addressed. Lectures will discuss historical and contemporary art and design history. Previous clay working experience required. 3 credits.expand collapse
Ceramics: Surface + Form
Course No. CER355/455 Credits: 3.0
Students will work on assigned and self-proposed projects which explore the ceramic surface in relationship to two and three-dimensional form. Concepts and critical theory will be addressed. Lectures will discuss historical and contemporary art and design history. Previous clay working experience required.
Ceramics: Table for Two: Evolving Rituals of Food
We will focus on the human experience of eating, and the rituals and modes of communication involving community, food and drink. The potter's wheel will be our primary means of fabrication for the creation of objects, parts and multiples. Glaze formulation, surface techniques and firing of kilns will be incorporated in this class. Required of all Ceramic Majors. Open to all.
Ceramics: The Narrative Vessel
Course No. CER246/346/446 Credits: 3.0
Faculty Judith Salomon
The focus of this class will be the ceramic object as a vehicle for two and three-dimensional expression. We will introduce the potter's wheel, handbuilding/forming techniques along with glazing and surface treatments. Kiln firing will be introduced, including gas and electric kilns. We will discuss artworks made from clay in the past, present and future. This class is open to all: take as preparation for other course work in the Ceramics Department.
Ceramics: The Potter's Wheel: Utility + Production
Course No. CER240/340/440 Credits: 3.0
Faculty William Brouillard
Wheel based vessels and sculptural forms will be explored in this class. The potter's wheel is an important tool for artists and designers who want to create compositional forms using multiple parts. Glaze making, glazing and kiln firing will be incorporated into this course. Lectures on historical and contemporary ceramic works will be included to further help student create a personal direction. Some wheel work suggested. Required of all Ceramic Majors. Open to all.
Changing Views: Perspectives on African Art
Course No. ACD385X Credits: 3.0
Faculty Katherine Flach
Through lectures, readings, and discussions, this seminar will explore important developments in the history of the reception, study, and photography of African art, from the 15th century to present day. An analysis of a number of key publications by pioneering scholars in the field will illustrate the multiple approaches that have been developed to gain insight into Africa’s artistic heritage. Special attention will be devoted to the dialogue between anthropological and art-historical perspectives on the arts of Africa. This seminar will also address the politics and ethics of the acquisition and representation of African art, as well as the methodological challenges connected to their formal and stylistic diversity, and issues of artistic production and patronage.
Character Design + Development
This course will concentrate on the character creation process, focusing on all aspects of character concept and development. Students will learn to understand character types, body language and production techniques. In the fast growing gaming and animation industry, the ability to create characters is essential. Graphic novels/ comics, children’s books and advertising also rely heavily on an illustrators ability to create characters that meet client demands/ needs and make them part of a cohesive world. Offered spring.
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