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Student Life
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Story: Oct 21, 2014

Senior curates exhibition of current students, recent grads ...

View details Adam Markanovic: No Body to Love

CIA Exhibition: Oct 17, 2014

Adam Markanovic: No Body to Love

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Story: Oct 20, 2014

CIA grad transforms Corvette into canvas on wheels

View details Unruly Engagements Conference

Events: Nov 06, 2014 @ Cleveland Institute of Art in Cleveland, OH

Unruly Engagements Conference

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Social: about 20 hours ago via Facebook

The Cleveland Institute of Art wishes you a safe and happy Halloween! {Artwork by CIA Graphic Designer Nicole Fansler}

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Story: Sep 22, 2014

Television and film writer teaching narrative writing at CIA

View details Opening Reception Community Works: Artist as Social Agent

CIA Exhibition: Nov 07, 2014

Opening Reception Community Works: Artist as Social Agent

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Story: Aug 27, 2014

New residence hall welcomes first-year students in comfort, ...

View details Fall 2014 Open House

Events: Nov 15, 2014

Fall 2014 Open House

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Story: Aug 18, 2014

CIA again named to "Best in the Midwest" list

Academics . Courses

Courses Courses

Principles of Chemistry

Course No. BMA 105  Credits: 3.0

Atomic structure; thermochemistry; periodicity, bonding and molecular structure; intermolecular forces; properties of solids; liquids, gases and solutions. If you are a CIA BMA Student wanting to take advanced Biology/Anatomy at CWRU; you will need this course as an additional pre-requisite to gain access to specific upper level electives. See prerequisite notes for each course.

Principles of Illustration

Course No. ILL 264  Credits: 3.0
Faculty Dominic Scibilia | Suzanne McGinness

This course assures the student the opportunity to develop a saleable skill, perform in a professional manner and demonstrating a good attitude and work habits that meet client needs and deadlines. Encounter a strong emphasis on different techniques, methods, styles and types of illustration that will further provide advancement towards future employment. Students will be introduced to past and present day Illustrators to get a better comprehensive of what role an Illustrator plays when dealing in the solutions of design/ illustrations problems. Students will also acquire a better understanding of style and techniques used by Illustrators to solve these problems they may confront in the future as professionals. Offered spring.

Printmaking: Advanced Topics

Course No. PRI 35X-45X  Credits: 3.0
Faculty Maggie Denk-Leigh

This is an advanced studio supporting the student in the refinement of their visual voice and skill level as realized in the production of prints and supporting studio work. Faculty and students develop the outline of course work for the semester through individual and group critiques encouraging the cultivation of their visual erudition and assisting in the student’s development Possible combinations of the various techniques for single or multiple impressions are addressed. The student develops the ability to discern qualities unique to the field through material presented in lectures and hands-on demonstrations of technical processes and procedures. As the student engages in the production of a body of work, they become informed of the particular characteristics and advantages of print as a medium and develop the ability to critically respond to aesthetics and concepts both within and beyond the field. Required senior year, Fall.

Printmaking: Advanced Topics

Course No. PRI 350-450  Credits: 3.0

This is an advanced studio supporting the student in the refinement of their visual voice and skill level as realized in the production of prints and supporting studio work. Faculty and students develop the outline of course work for the semester through individual and group critiques encouraging the cultivation of their visual erudition and assisting in the student’s development. Possible combinations of the various techniques for single or multiple impressions are addressed. The student develops the ability to discern qualities unique to the field through material presented in lectures and hands-on demonstrations of technical processes and procedures. As the student engages in the production of a body of work, they become informed of the particular characteristics and advantages of print as a medium and develop the ability to critically respond to aesthetics and concepts both within and beyond the field. Offered fall.

Printmaking: Internship

Course No. PRI 499  Credits: 0.0

Elective credit can be given on a case-by- case basis for an internship developed by student through the career services office, with advance permission of instructor and head of department.

Printmaking: The Artist's Book Now: Artist Book As Image

Course No. PRI331.1  Credits: 3.0

This studio course focuses on boundaries of book form, emphasis on image and concept, and selection of appropriate form [output] to content. Students will be encouraged to view the book as a conceptual space. Deeper development of sequencing and narrative in traditional and nontraditional formats. Forms covered on individual project basis as dictated by idea/concept for appropriate output/manifestation. Considerations include sculptural, installation, digital output, etc. Examples and contemporary developments regarding the evolution of the artist book are examined through texts, through the use of our library's artist book collection, in discussion, and during critiques. Notes: This course is open to all, and fulfills an introductory, intermediate and advanced level elective course. 3 credits.

Printmaking: The Artist's Book Now: Artist Book As Image

Course No. PRI431.1  Credits: 3.0

This studio course focuses on boundaries of book form, emphasis on image and concept, and selection of appropriate form [output] to content. Students will be encouraged to view the book as a conceptual space. Deeper development of sequencing and narrative in traditional and nontraditional formats. Forms covered on individual project basis as dictated by idea/concept for appropriate output/manifestation. Considerations include sculptural, installation, digital output, etc. Examples and contemporary developments regarding the evolution of the artist book are examined through texts, through the use of our library's artist book collection, in discussion, and during critiques. Notes: This course is open to all, and fulfills an introductory, intermediate and advanced level elective course. 3 credits.

Production Seminar

Course No. GDS 360  Credits: 3.0
Faculty Eugene Pawlowski

This required course begins with one simple question: What do you want to make? The rest of the course is devoted to learning how to "make things" in the vast array of facilities open to today's designers. The process of making things is approached from a practical side (understanding materials and digital tools) and a theoretical side (social responsibility and sustainability). Students learn to form successful teams to define and produce projects. Prerequisite: Design for Communication and Typography or Permission of the Instructor. Offered fall.

Cores + Connections

Our connections are your connections.

While at CIA, you'll learn from the masters through our rigorous, world-class curriculum and connect with working professionals to begin your career.

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Community Works

Visiting artists, exhibitions, conference and symposia exploring socially engaged art.

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Uptown Residence Hall

Check out the new student digs.

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Cores + Connections

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