Dec 02, 2013
Industrial design grad gives TEDx talk on creative play
Nov 02, 2013
Cinematheque to show eight classic comedies by Ernst Lubitsch
Dec 02, 2013
CIA's Contemporary Artist Index: 31,000 strong, and now easier to use than ever
Nov 08, 2013
2013 Fall Exhibition
about 11 hours ago via Facebook
Brent Kee Young, professor and glass department chair, with CIA alum Mark Sudduth '83 in the glass studio. #throwbackthursday #tbt
Nov 22, 2013
CIA wins UCI award for Euclid Avenue ArtBox project
Dec 03, 2013
Fall Foundation Show
Nov 21, 2013
Sophomore's photo inspires magic on the big screen
Dec 06, 2013
2013 Student Holiday Show
Dec 03, 2013
12/5-8: AT BERKELEY, A TOUCH OF SIN, PORTRAIT OF JASON & more!
Title Professor/Co-Chair of Sculpture
Courses BFA Statement + Exhibition | Charette: Collaboration + Community | Fiber: Advanced Studio: Topics in Contemporary Art + Culture | Fiber: Sewing + Fabrication Processes | Fiber: Silkscreen | Material Matters | Sculpture + Expanded Media | The Extended Body
Degree MFA, Cranbrook Academy of Art; BA, Barnard College, Columbia University
Tina Cassara received a BA in urban studies, emphasis in sociology from Barnard College, Columbia University. Following graduation, she moved to Viques, in the Juan region of Peru, and studied with Francisca Mayer from Black Mountain College, teaching natural dyes derived from indigenous plants to local weavers. Her travels continued through the Collao Altiplano region of Bolivia. While living in New York City, Cassara was co-editor of Sing Out! Magazine before attending Cranbrook Academy of Art, where she received an MFA from the fiber department. Cassara has since conducted extensive research into women’s labor in the American textile industry, issues of European migration and relocation, and more recently, the assigned value of labor in historically women-dominated textile industries in the South. In the late 1990s, Cassara began exploring the history of textile production. A strong advocate for organized labor, she began conducting interviews in LaGrange, GA and nearby mill towns, speaking with retired textile workers, factory owners, surviving union organizers, and members of textile heritage societies. In 2008–09, Cassara was awarded a sabbatical to further her research in the network of textile heritage societies, including travel to Cooleemee, NC, working with organizers of the Textile Heritage Initiative and members of the Troop County Historical Society. Cassara`s research also continues in Scranton, PA, where she is examining documents and photographs related to the growth of the mining and silk textile industriesexpand collapse
Title Associate Professor
Courses 2D/3D Compositing for Animation | Creative Resistance: Media Art in the Social Sphere | Experimental Film + Video Art | Intro to Animation | Narrative Production I + II | Sound Design | Video/Digital Cinema I: Screen Grammar | Video/Digital Cinema II: Sculpting in Time
2011 Guggenheim Fellowship recipient Kasumi is internationally celebrated as a leading innovator of a new art form synthesizing film, sound and video. She has won global acclaim for her experimental films, videoart and installations in venues worldwide: from Lincoln Center with The New York Philharmonic to collaborations with Grandmaster Flash and DJ Spooky. She performed and exhibited work at Württembergischen Kunstverein Stuttgart and at the Chroma Festival de Arte Audiovisual in Guadalajara, Mexico, and her work, BREAKDOWN, the Vimeo Remix Award winner, premiered at Carnegie Hall with the American Composers Orchestra. She was awarded an EMPAC Dance Movies Commission 2009-2010 by The Jaffe Fund for Experimental Media and Performing Arts and has created videoart for performance with The Cleveland Orchestra. She won a 2011 Creative Workforce Fellowship and was named one of Cleveland Magazine’s “Most Interesting People” of 2011. Kasumi executive-produced AARDVARK, a feature film awarded “Critic’s Pick” in the “L.A. Weekly”, and screened at Reykjavik IFF, Warsaw IFF, the Viennale, Goteborg IFF, Thessaloniki IFF, BAFICI, AFI Fest , Las Palmas, Krakow, Copenhagen, and many others. As a musician, she has twice been soloist at Carnegie Hall and has recorded four LP albums; in Japan, her soundtrack performance for OGINSAMA, starring Toshiro Mifune, was nominated for an Academy Award. She received the Adriano Asti Award for Best Experimental Film at Montecacini, Italy; Director's Citation at the Black Maria Film Festival; Seoul Film Festival's Special Jury Award; IFP Chicago and Sapporo International Film Festival Best Experimental Film, and others. Her film "The Free Speech Zone," cited in The Encyclopedia of Underground Movies, was featured at the Nemo Festival at the Forum des Images in Paris, the Milano Film Festival, Expresión en Corto, Mexico City, and the Sapporo International Short Film Festival where it won First Prize. Her work has been screened at festivals in Iran, the Slovak Republic, Turkey, Japan, Korea, Romania, Italy, Germany, Mexico, Holland, France, England, the US and Canada, and displayed at distinguished institutions including Muzeul Florean, Romania; Itau Cultural Center, Sao Paulo; The Butler Institute of American Art; The Museum of Fine Art, Houston; Museu de Arte Moderna, Rio de Janeiro; San Diego Museum of Art; Instituto Superior de Arte del Teatro Colón, Buenos Aires; Anthology Film Archives among others and has received the Adriano Asti Award for Best Experimental Film at Montecacini, Italy; Director's and Program Staff Citation at the Black Maria Film Festival; the Seoul Film Festival's Special Jury Award; IFP Chicago's Best Experimental Film award and many others.
Title Associate Professor
Degree MFA, Ceramics from the Tyler School of Art, Temple University; BFA, Studio Art from Kent State
Kevin Kautenburger has been teaching at the Cleveland Institute of Art since 2001. He also taught for ten years in Philadelphia. Among his awards are a Pew Fellowship and the Robert Mann Award in Ceramics from the Cleveland Museum of Art May Show. He has exhibited widely in the Midwest and at the Delaware Biennial. Additionally, he won the Nathan Margolis Award for Ceramics while pursuing his masters.expand collapse
Title V.P. of Faculty Affairs and Chief Academic Officer, Professor
Degree Whitney Museum Independent Study Program; MFA, Rhode Island School of Design; BFA, Wayne State University
Christopher Whittey is currently Vice President of Faculty Affairs and Chief Academic Officer at the Cleveland Institute of Art. Prior to this position he served as Vice President for Academic Affairs and Dean at Maine College of Art (MECA) and was the Dean of Academic Services at Maryland Institute College of Art (MICA), where he served as faculty from 2001-2009. After studying at the Center for Creative Studies and receiving his Bachelor of Fine Arts degree from Wayne State University, Whittey worked as a master carpenter building stage sets and props in New York for such prestigious venues as the Metropolitan Opera, Saturday Night Live and The Conan O'Brien Show. In 1989, he returned to complete his formal education at the Rhode Island School of Art and received his Master of Fine Arts degree in 1991.
The following year, Whittey was selected to attend the prestigious Whitney Museum Independent Study Program. His work has been showcased in numerous locations including White Columns and The Thread Waxing Space in New York and he has received a New Jersey State Council on the Arts Fellowship, Van Lier Foundation Grant (awarded by the Whitney Museum Independent Study Program), Individual Artists Grant from New York's Artist Space, and the faculty development grant from MICA. Publications include The Detroit News, The New York Times, The Village Voice, Documents and World Art.
Degree Freie Kunstschule (Independent Art School) Nurtingen (Germany)
Academy of Fine Arts at the Staatlicen Akademie der Bildenden Kunste (State Academy of the Fine Arts), Stuttgart (Germany) MFA
Christian Wulffen has been an Associate Professor since 2003.
I am concerned with how artists achieve knowledge and how they structure knowledge. This intersects with my concern as a teacher and artist, to encourage participants to reflect on the processes that an artist goes through--for example, an intuitive creative thinking process, intentional purposeful engagement, and adherence to a model or system.
These thought processes can be contextualized further by situating them within larger theories of knowledge production, as outlined by W. J. T. Mitchell: “semiotics, structuralism, deconstruction, system theory, speech at theory, ordinary language philosophy and now image science or critical iconology”.
To convey this notion of action as a mode of knowledge production, I use specific symbols for my work, one of these: boards that are pre-manufactured with three vertical slots and one horizontal slot (plywood).
From the viewer’s perspective, the board has the option to hold various information. From my perspective, I see this as a concept to display information to exercise the different links in its display from one board to another. My environment is a grid—one of the hallmarks of modernist abstraction and capable, as a visual symbol, of signifying a whole system of art production and thought. This idea is depends on the perspective of the viewer and how that viewer is situated in a distributed network of production and reception of the information about this subject.
Crucially for me, the painting, the paper, and the board (as in my recent production), simulate the portability of information. I am interested in its mobility as a sign in which sender and recipient receive the same information but decode it differently depending on their respective environments.expand collapse
Title Technical Specialist - Sculpture
Title Technical Specialist