Dec 02, 2013
Industrial design grad gives TEDx talk on creative play
Nov 02, 2013
Cinematheque to show eight classic comedies by Ernst Lubitsch
Dec 02, 2013
CIA's Contemporary Artist Index: 31,000 strong, and now easier to use than ever
Nov 08, 2013
2013 Fall Exhibition
about 3 hours ago via Facebook
Brent Kee Young, professor and glass department chair, with CIA alum Mark Sudduth '83 in the glass studio. #throwbackthursday #tbt
Nov 22, 2013
CIA wins UCI award for Euclid Avenue ArtBox project
Dec 03, 2013
Fall Foundation Show
Nov 21, 2013
Sophomore's photo inspires magic on the big screen
Dec 06, 2013
2013 Student Holiday Show
Dec 03, 2013
12/5-8: AT BERKELEY, A TOUCH OF SIN, PORTRAIT OF JASON & more!
Kinetics, Motion, + Space
Course No. SCU213/313/413 Credits: 3.0
Utilizing methods of observation, experiential "mapping" and research, students are asked to deal with problems of three-dimensionality as embedded within the continuous nature of events, actions, and movements recorded, performed or proposed. Of particular interest will be the concerns of interaction both within and between spatial locations, conditions and the unseen. Students will be asked to consider ideas of trace, residue, causation, and the rhizomatic, as well as non-linear vs. linear progressions. Questions will include: How do we navigate both three-dimensional and conceptual space(s)? How can the experience of a space be explored, mapped, and understood as a physical condition via the movement or interaction? What is the nature of a spatial event? Students will be expected to complete all assigned readings, develop and complete projects by dealing with movement and space through the process of mapping and investigation. Open to all students.
Mapping + Memory: Spacial Constructions
Course No. SCU204/304/404 Credits: 3.0
Faculty Kevin Kautenburger
This course will focus on various properties of memory as they are informed by contemporary science and philosophy via the transformation of "information, thoughts and experiences" as a process of mapping and as a condition of recording into works of art. Mapping (recording) for this course should be understood as a process of revelation, a translation of fact (reality) or imagination (memory) into dimensional representations. Mapping implies numerous spatial relationships, framing positions such as scale and physical proximity, the passage of time and the probabilistic qualities of space-time. In addition to significance of proximity when exploring and understanding space the process of mapping is also associated with journey in space or as the length of a durational event. In order to accomplish these transformations students will be able to engage and examine both physical and virtual approaches to spatial construction will be encouraged. Open to all students.
Course No. FIB377/477 Credits: 3.0
Faculty Christina Cassara
This is an advanced level studio class, which will offer the student a more sophisticated understanding of the inter-relationship between material, process and idea. The cultural and historic references of materials and processes play a powerful role in communication. To further that investigation and use it to support work, lectures and discussions will ask questions about the definitions and norms of the European/Mainstream art system. Topics will include, for example, the place of art within the gallery system and the role of art in 'non/European' cultures; the relationship between Art and the Everyday; the relationship between Realization and Representation; and the role of Social Participation in an art practice. Other topics will be guided by the work being done by the students enrolled in the class. Open elective, limited to Juniors and Seniors. Required for FMS Seniors.
Moving Images in Space: Media Installation
Course No. TIM206/306/406 Credits: 3.0
This class serves as an introduction to and exploration of media installation including the use of video, sound, light, and electronic media when combined with space and various media. Lectures will cover concepts and presentations of artists working in various capacities with installation and electronic media. Course work will be hands-on practice of techniques and concepts presented in lecture, discussion of readings, and critique of student projects. This class will involve doing media/electronic media assignments centered around the idea of the 'media as a message' and 'interactivity'. Students will work with different material and media and use video, sound and light to prepare installations. We will use FinalCut Pro, GarageBand, Flash, and other tools to support elements in installations that use images, text and sound.
On the Body
Course No. FIB221/321/421 Credits: 3.0
Experimental fashion, object-generated performance and costume. This course will teach pattern making and a variety of fabrication processes relevant to building three-dimensional forms from pliant and mutable materials, including but not restricted to cloth. It will also include casting methods that are useful for designing patterns to cover a body or act as the skin of an object. The techniques have a wide range of applications. In the past students have applied these skills to experimental fashion, sculpture, social sculpture and performance. In addition class material will address our social and cultural understanding of the body as a source for making work. We will draw on theory and contemporary research from the fields of fashion, the hard sciences and the social sciences. Required of junior Fiber majors. Open to all sophomores, juniors and seniors as an elective. No prerequisites. Offered yearly.
Role of the Artist as Producer
Contemporary artists have a multitude of ways they can engage with the larger world, beyond the realm of the gallery or museum. Students enrolled in this course will explore various models of artistic production including, but not limited to, performer, activist, curator and provocateur. The relationship between method of creation and idea, or the handmade versus the industrial, will be investigated. Additionally, assignments will challenge students to analyze the content of their artwork within local, national, and global contexts. Coursework will include studio work, readings, discussion, and critiques. Required for VAT seniors in all majors. Open as an elective with approval of instructor. Offered fall.
Sculpture + Expanded Media
This course provides an introduction to sculpture and expanded media by examining the methodologies, materials, history, traditions,and cultural context of sculpture and expanded media in contemporary art.. The class will include wood construction and textile-based fabrication processes, moldmaking and casting relevant to a range of materials, basic metalworking techniques such as cutting and welding, and will introduce the student to the use of time-based media present in contemporary sculpture. Required for sophomore Sculpture majors. Open to all students as an elective. Offered fall.
Sculpture Special Topics: The Architecture of Space
Course No. SCU235/335/435 Credits: 3.0
The primary focus of this course is the investigation of interior and exterior spaces as defined by preexisting architectural elements and structures. Students are encouraged to use a wide variety of materials in the construction of installations. This course focuses on the finite conditions of architectural settings while maintaining a responsive attitude to the possibilities suggested by these site-specific explorations particularly in terms of the various narratives embedded within a given location. Students will be expected to construct on average two different works alternating between interior and exterior spaces over the course of the semester. Students will also be expected to participate in discussions centering on readings dealing with the theoretical concerns of Architecture, its impact on sculpture and its ability to both define and/or modify conditions of site-specificity and installation as with regard to sculpture and sculptural-based work.
2011 Guggenheim Fellowship recipient Kasumi is internationally celebrated as a leading innovator of a new art ...more
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