Story: Sep 26, 2014
CIA's Community Works series focuses on socially engaged art...
CIA Exhibition: Aug 28, 2014
2014 Faculty Exhibition
Story: Sep 22, 2014
Television and film writer teaching narrative writing at CIA
Events: Oct 03, 2014
Lunch On Fridays: Haishan Deng
Social: about 7 hours ago via Facebook
The Cleveland Institute of Art's academic series, Community Works, shifts into high gear next week with the arrival of Stephen Vetter, a renowned international ...
Story: Sep 16, 2014
CIA Professor Tina Cassara inspires Sculpture Center exhibit...
Events: Oct 11, 2014
CIA Portfolio Day
Story: Aug 27, 2014
New residence hall welcomes first-year students in comfort, ...
Events: Oct 18, 2014 @ William Busta Gallery in Cleveland, OH
A Creative Life featuring Paul Yanko
Blog: Oct 01, 2014
10/2-5: Bertolucci's new film Me And You, A Fistful of Dollars, Bound by Flesh & more!
Academics . Courses
Painting After the Photograph: Painting in the Age of Mechanical Reproduction
Course No. PTG 233-333-433 Credits: 3.0
Faculty Daniel Tranberg
Painters going back as far as the Renaissance have been using devices such as the camera obscura to produce a two-dimensional verisimilitude. With the invention of photography in 1839, artists were liberated from the demands of reproducing naturalistic appearances. This course will explore the relationship between the photograph and painting; the effect that the birth of photography has had on the history and current state of painting. A primary question to be considered will be: What are the strategies of painting in the age of mechanical reproduction? How has photography and mechanical reproduction influenced painting functions? We will look at artists as varied as Delacroix, Courbet, Warhol, Rosenquist, and Richter among others. Readings will include Walter Benjamin’s “Art in the Age of Mechanical Reproduction.”
While at CIA, you'll learn from the masters through our rigorous, world-class curriculum and connect with working professionals to begin your career.