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Sculpture
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Story: Feb 18, 2015

CIA students create appealing designs for co-working space

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Events: Jan 19, 2015 @ Museum of Contemporary Art Cleveland in Cleveland, OH

CIA Freshman Mail Art at MOCA

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Story: Feb 11, 2015

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CIA Exhibition: Feb 13, 2015

69th Annual Student Independent Exhibition

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Story: Jan 09, 2015

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Events: Feb 24, 2015

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Story: Nov 03, 2014

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Events: Mar 21, 2015

Spring 2015 Open House

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Story: Aug 18, 2014

CIA again named to "Best in the Midwest" list

Academics . Sculpture + Expanded Media . Faculty

Sculpture + Expanded Media Faculty

Christina Cassara tinacassaraart01.jpg

Christina Cassara

Title Professor/Co-Chair of Sculpture + Expanded Media
Department Sculpture + Expanded Media
Phone 216.421.7381

Courses  BFA Statement + Exhibition | Charette: Collaboration + Community | Fiber: Advanced Studio: Topics in Contemporary Art + Culture | Fiber: Sewing + Fabrication Processes | Fiber: Silkscreen | Material Matters | On the Body | Sculpture + Expanded Media | The Extended Body

Degree MFA, Cranbrook Academy of Art; BA, Barnard College, Columbia University

Tina Cassara received a BA in urban studies, emphasis in sociology from Barnard College, Columbia University. Following graduation, she moved to Viques, in the Juan region of Peru, and studied with Francisca Mayer from Black Mountain College, teaching natural dyes derived from indigenous plants to local weavers. Her travels continued through the Collao Altiplano region of Bolivia. While living in New York City, Cassara was co-editor of Sing Out! magazine before attending Cranbrook Academy of Art, where she received an MFA from the fiber department. Cassara has since conducted extensive research into women’s labor in the American textile industry, issues of European migration and relocation, and more recently, the assigned value of labor in historically women-dominated textile industries in the South. In the late 1990s, Cassara began exploring the history of textile production. A strong advocate for organized labor, she began conducting interviews in LaGrange, GA, and nearby mill towns, speaking with retired textile workers, factory owners, surviving union organizers, and members of textile heritage societies. In 2008–09, Cassara was awarded a sabbatical to further her research in the network of textile heritage societies, including travel to Cooleemee, NC, working with organizers of the Textile Heritage Initiative and members of the Troop County Historical Society. Cassara's research also continues in Scranton, PA, where she is examining documents and photographs related to the growth of the mining and silk textile industries

Sarah Paul

Sarah Paul

Title Assistant Professor/Co-Chair of Sculpture + Expanded Media/Chair of TIME
Department Sculpture + Expanded Media
Phone 216.421.7945

Courses  Creative Resistance: Media Art in the Social Sphere | Experimental Film + Video Art | Installlation: Light + Sound | Intro to Media Production and Integration | Sound Design | The Rhetorical Object: Conceptual Constructions

Degree MFA, University of New York at Buffalo; BFA, Rochester Institute of Technology

Sarah Paul is chair of the TIME-Digital Arts Department at the Cleveland Institute of Art.

Lane Cooper lanecooperart01.jpg

Lane Cooper

Title Associate Professor/Chair of Painting
Department Sculpture + Expanded Media
Phone 216.421.7357

Courses  Art & Design History I: Ancient-18th Century | Art & Design History II: 18th Century-1945 | BFA Statement + Exhibition | Expanded Print: New Imaging | Hybrid Approaches to Drawing + Painting: Digital Media | Intro to Painting: Painting History: 1828-Present | Role of the Artist as Producer | Senior Studio: BFA Research | Systems Drawing | Water+: An Exploration of Water-Based Media

Degree MFA, Painting, University of Alabama (Tuscaloosa); MA, Art History, University of Alabama at Birmingham; BS, University of North Alabama

Lane Cooper is an artist, who works through painting, sound, video, text and, on occasion, performance. Her work has been presented in venues ranging from Birmingham, AL, to Madrid, Spain. In 2009 she participated in a residency at The Banff Centre located in Alberta, Canada, and in the fall of 2010 she was an artist-in-residence at Gallery Aferro in Newark, NJ, where she exhibited as part of the 2011-12 season. She holds a master's degree in art history with an emphasis in contemporary art and an MFA in painting. She has been teaching since 1989, and since the spring of 2001 she has taught full-time at the Cleveland Institute of Art.

Erin Duhigg

Title Technical Specialist, Sculpture + Expanded Media
Department Sculpture + Expanded Media
Phone 216.421.7335

Sarah Kabot sarahkabotart01.jpgsarahkabotart02.jpg

Sarah Kabot

Title Assistant Professor/Chair of Drawing
Department Sculpture + Expanded Media
Phone 216.421.7931

Courses  100 Drawings | Advanced Drawing: Senior Major | BFA Statement + Exhibition | Drawing I | Drawing II | Drawing: Intro to Advanced Observation, Illusionism, Concept | Image + Form I | Image + Form II: Reproducibility

Degree MFA, Fiber, Cranbrook Academy of Art; BFA, University of Michigan

Sarah's work has been exhibited in galleries such as Vermont Studio Center; the Cultural Center of Polecni, Pieksamaki, Finland; Reinberger Gallery, Cleveland Institute of Art; and SPACES gallery, Cleveland, among others. Her awards have included a CAA Tuition Grant (2000-2002); a Merit Scholarship and Grant to the Vermont Studio Center (1999); and a Merit Scholarship for the University of Michigan (1998).

Kevin Kautenburger lorenzoshive.jpg

Kevin Kautenburger

Title Associate Professor
Department Sculpture + Expanded Media
Phone 216.421.7931

Courses  Charette: Collaboration + Community | Design I | Design II | Mapping + Memory: Spacial Constructions | Materiality & Aesthetics

Degree MFA, Ceramics from the Tyler School of Art, Temple University; BFA, Studio Art from Kent State

Kautenburger's sculpture functions to contain sensations of the natural environment, housing and presenting natural phenomena as an invitation for anyone so inclined to poetic ponderance. Work often involves insect habitats (crickets and honeybees), natural material from the Rocky River basin, as well as substances collected from his bee yard, such as propolis, wax, and pollens.

He is a recipient of a Pew Fellowship in the Arts, and has exhibitited at the Philadelphia Museum of Art, Cleveland Museum of Art, and the Allentown Museum of Art, among others. He has an MFA in Ceramics from Tyler School of Art, and a BFA from Kent State University.

He has been teaching at CIA since 2001, where he teaches Foundation Design and Environment, Art and Engaged Practice.

Indra Lacis

Title Adjunct Faculty
Department Sculpture + Expanded Media
Phone 216.421.7000

Courses  Art & Design History III: 1945-Present | Role of the Artist as Producer

William Lorton

Title Visiting Instructor
Department Sculpture + Expanded Media
Phone 216.421.7381

Courses  Aesthetics, Style, and Content | Design I | Fiber: Digital Images, Patterns + Structures | Fiber: Silkscreen | Image + Form I | String, Felt, and Thread | The Rhetorical Object: Conceptual Constructions | Weaving Patterns: Collective Activity

Degree MFA, Kent State University; BFA, Cleveland Institute of Art

Bill Lorton received his BFA in Fiber + Material Studies from the Cleveland Institute of Art and his MFA in Textiles from Kent State University. He is currently an adjunct faculty member in CIA’s Fiber + Materials Studies Department and also teaches courses in the Visual Art and Foundation curriculums. Lorton was selected for the 2009 Cheongju International Craft Competition, receiving an Honorable Mention. In 2012 he was part of an invitation exhibition at the Korean Craft Museum in Cheongju, South Korea. Lorton launched the Endangered Studies traveling curriculum in 2013 to preserve and promote a multitude of fiber art techniques.

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