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Sculpture
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Story: Sep 11, 2014

Two CIA grads commissioned for CWRU public art works

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CIA Exhibition: Aug 28, 2014

2014 Faculty Exhibition

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Story: Sep 10, 2014

Painting chair curates exhibition exploring art, materials

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Mizoguchi's Greatest Decade

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CIA ingenuity will be on display at arts and technology fest...

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Lunch On Fridays: Marc Petrovic

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New residence hall welcomes first-year students in comfort, ...

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Events: Sep 27, 2014

Filmmaker and author John Waters to present one-man show

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Blog: Sep 17, 2014

9/18-21: Polyester, Ivory Tower, Policeman & more!

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Story: Aug 18, 2014

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Events: Oct 18, 2014 @ William Busta Gallery in Cleveland, OH

A Creative Life featuring Paul Yanko

Academics . Sculpture + Expanded Media . Faculty

Sculpture + Expanded Media Faculty

Christina Cassara tinacassaraart01.jpg

Christina Cassara

Title Professor/Co-Chair of Sculpture + Expanded Media
Department Sculpture + Expanded Media
Phone 216.421.7381

Courses  BFA Statement + Exhibition | Charette: Collaboration + Community | Fiber: Advanced Studio: Topics in Contemporary Art + Culture | Fiber: Sewing + Fabrication Processes | Fiber: Silkscreen | Material Matters | On the Body | Sculpture + Expanded Media | The Extended Body

Degree MFA, Cranbrook Academy of Art; BA, Barnard College, Columbia University

Tina Cassara received a BA in urban studies, emphasis in sociology from Barnard College, Columbia University. Following graduation, she moved to Viques, in the Juan region of Peru, and studied with Francisca Mayer from Black Mountain College, teaching natural dyes derived from indigenous plants to local weavers. Her travels continued through the Collao Altiplano region of Bolivia. While living in New York City, Cassara was co-editor of Sing Out! magazine before attending Cranbrook Academy of Art, where she received an MFA from the fiber department. Cassara has since conducted extensive research into women’s labor in the American textile industry, issues of European migration and relocation, and more recently, the assigned value of labor in historically women-dominated textile industries in the South. In the late 1990s, Cassara began exploring the history of textile production. A strong advocate for organized labor, she began conducting interviews in LaGrange, GA, and nearby mill towns, speaking with retired textile workers, factory owners, surviving union organizers, and members of textile heritage societies. In 2008–09, Cassara was awarded a sabbatical to further her research in the network of textile heritage societies, including travel to Cooleemee, NC, working with organizers of the Textile Heritage Initiative and members of the Troop County Historical Society. Cassara's research also continues in Scranton, PA, where she is examining documents and photographs related to the growth of the mining and silk textile industries

Sarah Paul

Sarah Paul

Title Assistant Professor/Co-Chair of Sculpture + Expanded Media/Chair of TIME
Department Sculpture + Expanded Media
Phone 216.421.7945

Courses  Creative Resistance: Media Art in the Social Sphere | Experimental Film + Video Art | Installlation: Light + Sound | Intro to Media Production and Integration | Sound Design | The Rhetorical Object: Conceptual Constructions

Degree MFA, University of New York at Buffalo; BFA, Rochester Institute of Technology

Sarah Paul is chair of the TIME-Digital Arts Department at the Cleveland Institute of Art.

Erin Duhigg

Title Technical Specialist, Sculpture + Expanded Media
Department Sculpture + Expanded Media
Phone 216.421.7335

Kevin Kautenburger

Kevin Kautenburger

Title Associate Professor
Department Sculpture + Expanded Media
Phone 216.421.7931

Courses  Charette: Collaboration + Community | Design I | Design II | Mapping + Memory: Spacial Constructions | Materiality & Aesthetics

Degree MFA, Ceramics from the Tyler School of Art, Temple University; BFA, Studio Art from Kent State

Kevin Kautenburger has been teaching at the Cleveland Institute of Art since 2001. He also taught for ten years in Philadelphia. Among his awards are a Pew Fellowship and the Robert Mann Award in Ceramics from the Cleveland Museum of Art May Show. He has exhibited widely in the Midwest and at the Delaware Biennial. In addition, he won the Nathan Margolis Award for Ceramics while pursuing his master's degree.

William Lorton

Title Visiting Instructor
Department Sculpture + Expanded Media
Phone 216.421.7381

Courses  Aesthetics, Style, and Content | Design I | Fiber: Digital Images, Patterns + Structures | Fiber: Silkscreen | Image + Form I | String, Felt, and Thread | The Rhetorical Object: Conceptual Constructions | Weaving Patterns: Collective Activity

Degree MFA, Kent State University; BFA, Cleveland Institute of Art

Jessica Pinsky

Title Adjunct Faculty
Department Sculpture + Expanded Media
Phone 216.421.7000

Courses  Design I | Material Color

Degree MFA Painting Boston University; BFA Studio Art New York University

Barry Underwood barryunderwoodart01.jpgbarryunderwoodart02.jpg

Barry Underwood

Title Assistant Professor
Department Sculpture + Expanded Media
Phone 216.421.7329

Courses  BFA Production + Independent Research: Research + Production. | Fundamentals of Studio Lighting | Installation + The Constructed Object | Photography: Installation & Constructed Objects | Professional Practices | Visual Thinking in Contemporary Photography

Degree MFA, Cranbrook Academy of Art; BA, Theater Arts, Indiana University Northwest; BA, Photography, Indiana University Northwest

Barry Underwood is an Assistant Professor and chair of the Sculpture Department at the Cleveland Institute of Art. Barry has received two Bachelor of Arts degrees from Indiana University Northwest in 1990 and 1992 for Theatre and Photography. He earned his Masters in Photography from Cranbrook Academy of Art in 1995. His work has been exhibited internationally: Annual International Los Angeles Photographic Art Exposition, in Santa Monica, California, Photo Miami 2007 in Miami, Florida, and most recently Altered Landscape, a two person exhibition at Summit Gallery, in Banff, Alberta, Canada. His work is included in several corporate and private collections. Barry participated in a thematic residency Imaginary Places, at Banff Center for the Arts, Banff, Alberta, Canada in 2007. During the summer of 2008, Barry participated in an Artists` Enclave residency at I-Park in East Haddam, Connecticut. During the summer of 2009, he will be participating in a residency at Headlands Center for the Arts in Sausalito, CA. He will work alongside some 30 writers, musicians, dancers, choreographers and visual artists from all over the United States, as well as from Iceland, Italy, Poland, Portugal and the UK who are “working at the cutting edge of their disciplines,” according to the center. www.headlands.org.

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