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Photography
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Jul 11, 2014

Hispanic teen mentored by 2012 grad has hopeful future at CIA

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May 19, 2014

2014 Student Summer Show

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Jun 30, 2014

Cain Park Arts Festival, opening July 11, has CIA all over it

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Jul 05, 2014

60 Looney Tunes cartoons coming to the Cinematheque

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about 15 hours ago via Facebook

The "small and mighty" Cleveland Institute of Art is profiled in this blog post from Art. College. Life. Read more about us in the article below.

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Jun 25, 2014

Cuyahoga County unveils county seal designed by CIA student

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Jul 27, 2014

Visiting printmaker Hamanishi demonstrates mezzotint technique

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Jun 24, 2014

CIA students' "Alice" illustrations on view at CWRU's library

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Aug 28, 2014

2014 Faculty Exhibition Opening Reception

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Jul 15, 2014

7/17-19: Chuck Jones, Anita Hill, Alejandro Jodorowsky & more!

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Aug 20, 2013

CIA named one of the "Best in the Midwest"

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Nov 15, 2014

Fall 2014 Open House

Academics . Photography . Courses

Photography Courses

The Fine Art of Silver Print

Course No. PHV270/370/470  Credits: 3.0
Faculty Nancy McEntee
Prerequisite(s) Photo I: Mechanics of Digital + Darkroom Photography

This is an advanced level black and white silver printing class. We will investigate advanced film exposure and archival printing techniques, fine art printing papers, developer combinations and toning procedures to produce full tonal range darkroom prints. Medium and large format cameras will be demonstrated and utilized. Projects for this class include an in-depth self-assignment finalized in a portfolio of archival Silver prints. We will also view master fine art prints at local galleries, museums and collections.
Prerequisites: PHV 295 Photo I: The Mechanics of Digital + Film Photography or instructor signature. Required of Sophomore Photography majors. Open elective.

Video Basic Tools I

Course No. FVPA461.1  Credits: 3.0
Faculty Mark Tekushan

Video Basic Tools is a required class for Photography and TIME-Digital Arts. It is also an open elective class for fine art credit in all majors and for second year foundation students. Using the tools of video, computer graphics, audio and other electronic media, this course focuses on the design elements and thought processes inherent in effective audio/visual communications. Hands-on approach features work in videography, lighting, audio production and mixing, and video editing, as well as support activities such as scripting, research, brainstorming and storyboarding. Emphasis is placed on creative thinking and problem solving, with both group and individual projects required. This course is intended to be an introduction to a very broad area, rather than an in-depth concentration in one subject. 3 credits. An external Firewire drive is required for this class. Required of FVPA and TIME-Digital Arts majors. Electives accepted, including sophomores

Video/Digital Cinema I: Screen Grammar

Course No. PHV297  Credits: 3.0
Faculty Kasumi | Mark Tekushan

This course is designed as an introduction, both to the craft of digital filmmaking and to the appreciation of film as a premiere medium of communication, entertainment, and art. Using the tools of digital cinema, computer graphics, audio and other electronic media, this course focuses on the design elements and thought processes inherent in effective audio/visual communications. Hands-on features work in digital cinematography, lighting, audio production and mixing, and non-linear editing, as well as support activities such as scripting, research, brainstorming and storyboarding. Emphasis is placed on creative thinking and problem solving, with both group and individual projects required. This course is intended to be an introduction to a very broad area, rather than an in-depth concentration in one subject. Required of Photography majors. Open Elective.

Video/Digital Cinema II: Sculpting in Time

Course No. PHV497  Credits: 3.0
Faculty Kasumi
Prerequisite(s) Video/Digital Cinema I: Screen Grammar

This advanced studio course expands upon the knowledge of students who have successfully completed the Digital Cinema I and Studio Lighting coursework. A working knowledge of Final Cut Pro or Adobe Premiere is requisite. This class is designed for further exploring the use of digital cinema as a cinematic tool, method of artistic expression and communication. Topics include continuity, discontinuity and montage style editing, colorgrading, compositing, special effects and composition within the frame. Emphasizing the relationship between image and sound, we will discuss the concept of sound as a material with basic structural properties that may be manipulated, layered and edited. Students will explore methods of composition using various sound materials in assigned projects.Required of Photo Majors in the Video track. Open Elective. Prerequisite: PHV 267 Video/Digital Cinema I or permission of the faculty.

Visual Organization + Media

Course No. IME200  Credits: 3.0
Faculty Larry O'Neal | Mary Jo Toles

In this course students will develop better organization and composition, knowledge and appreciation for type, integration of type and grid, understanding hierarchy, and type as creative form. Students within IME take this course to help them consider sound design and layout principles in their own work, and organize information in combination with images created in their specific majors. This course is required for all students in Animation, Biomedical Art, Game Design, Illustration, Photography, T.I.M.E.-Digital Arts and Video majors and is open as an elective to students in any other major. Offered fall and spring.

Visual Thinking in Contemporary Photography

Course No. PHV330  Credits: 3.0
Faculty Barry Underwood | Michael Wallace

In this course, photographic theories, modes and structures will be examined through the issues of narrative and aesthetics. Students will examine contemporary practices, which have emerged with respect toward photography, and hybrid digital media that transmute photographic theories, concepts, forms, and processes. The course will investigate the ways in which photography continues to affect (visual) culture and the way one perceives and understands. The work of selected photographers will provide a framework for comparing photographic philosophies. Required for Photography majors. Open Studio Elective.

Web Practice + Presence

Course No. IME320  Credits: 0.0

In this course, students will learn about various strategies of making websites and how these are part of contemporary practice as an artist. The ability to frame a project, solve a problem, do research, then implement and use web techniques is explored in this course. Projects will explore the contemporary practice of working with web technologies in professional practice including using FTP, social networking tools and listings, and other interactive forms. Learning basic HTML, exploring online existing portfolio solutions, accessibility, hosting, and ftp will be part of this course. In class students will experience interacting with website examples, discussing selected readings, doing weekly assignments, and participating in critiques. Offered fall and spring.

Photo major who prints on glass makes headlines on Wired.com

Photo major who prints on glass makes headlines on Wired.com

Photography major Emma Howell '14 built a camera that prints images on handblown glass. Wired.com published this feature story on Howell's remarkable achievement.

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Mark Tekushan

Mark Tekushan

Adjunct Faculty

Mark Tekushan sees advertising, production and design in extraordinary ways. His creative genius spans the wor...more

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