Dec 06, 2013
New video highlights George Kozmon's playful work
Nov 02, 2013
Cinematheque to show eight classic comedies by Ernst Lubitsch
Dec 02, 2013
Industrial design grad gives TEDx talk on creative play
Nov 08, 2013
2013 Fall Exhibition
about 6 hours ago via Facebook
CIA illustration students in Adjunct Professor Bradley Ricca's Graphic Narratives class recently wowed the crowd at the fifth annual Genghis Con Comics and Arts Festival. Read more by clicking below.
Dec 02, 2013
CIA's Contemporary Artist Index: 31,000 strong, and now easier to use than ever
Dec 13, 2013 @ CWRU White Building, Room 411 in Cleveland, OH
CWRU + CIA game design final presentation with Microsoft Game Studios
Nov 22, 2013
CIA wins UCI award for Euclid Avenue ArtBox project
Jan 13, 2014
34th annual Scholastic Art & Writing Exhibition
Dec 10, 2013
12/12-14; The Last Time I Saw Macao, White Reindeer, Two by Lubitsch
BFA Research + Preparation
Course No. IME401 Credits: 3.0
Faculty Anthony Scalmato
These courses provide a platform for senior Animation, Game Design, and TIME–Digital Arts students who are BFA candidates. The courses are structured to support the individual in shaping her/his own project and the production of all elements of the BFA Thesis, strong conceptual skills developed through a professional planning and a good researched idea are core to this process.
BFA Thesis + Exhibition
Course No. IME402 Credits: 3.0
These courses provide a platform for senior Animation, Game Design, and TIME-Digital Arts students who are BFA candidates. The courses are structured to support the individual in shaping her/his own project and the production of all elements of the BFA Thesis, strong conceptual skills developed through a professional planning and a good researched idea are core to this process.
Cinematography: 16mm Filmmaking
Course No. PHV261/361/461 Credits: 3.0
Prerequisite(s) Photo I: Mechanics of Digital + Darkroom Photography
This course is designed as an introduction, both to the craft of filmmaking and to the appreciation of film as a pioneering medium of communication, entertainment, and art. The course introduces the technical and aesthetic fundamentals of 16mm filmmaking and students design and work on individual and group projects. Students will learn the camera, camera support systems, lighting techniques, light metering systems and sound recording. Composition, rhythm, and movement are also discussed. In a hands-on environment, students are introduced to a range of production and post-production equipment available at the Institute. Emphasis is placed on pre-production planning, visualization, successful operation of hardware, and group collaboration. The class will view a variety of films of historic and aesthetic importance and examine major movements and approaches to film art. Field trips will also complement the coursework. Students execute several exercises in 16mm film. They are responsible for purchasing and processing a minimum of three 100ft rolls (approximately 3.5minutes each) of 16mm film stock. Prerequisite: PHV 295 Photo I: Mechanics of Digital + Film Photography or signature of Instructor.
Contemporary Color Photography: Digital + Film
Course No. PHV225/325/425 Credits: 3.0
Faculty Michael Wallace
This course is designed to investigate the contemporary applications of color in photography while developing a working knowledge of color theory in relationship to photographic practice. The course includes a wide range of color-based practices and techniques as well an exploration of subtractive and additive color as they pertain to digital and chemical photographic processes. The interaction between light, pigmentation, and photographic materials, will also be covered. This course is required for Photography majors and is open as an elective to other students. Offered fall.
Digital Imaging II: Large Format
Course No. PHV393/493 Credits: 3.0
Faculty Mary Jo Toles
Prerequisite(s) The Fine Art of Silver Print | The Fine Art of Silver Print | Photo I: Mechanics of Digital + Darkroom Photography
This advanced studio course is designed to further the students’ investigation of large format photography in digital and chemical processes. Examples of artistic and professional artwork will be shown in class lectures to illustrate application of these creative skills historically and in a contemporary context. Required for Photography majors. Open Studio Elective.
Prerequisites: PHV 295 Photo I: Mechanics of Digital + Film Photography; PHV 270 Fine Art Silver Print and PHV 301 Digital Photo Imaging I or instructor signature.
Digital Photo Imaging I
Course No. PHV301 Credits: 3.0
Faculty Mary Jo Toles
This course is an introduction to the technical and aesthetic fundamentals of digital photographic imaging. This studio course is designed for students interested in working with digital imagery for various applications. Students use the computer to modify, manipulate, or to enhance photographic images. Emphasis is placed on consideration of the hardware and software tools required for successfully capturing, manipulating, and exporting images, as well as an understanding of the technical issues involved in each step of the production process. Required for Photography majors. Open Studio Elective.
Course No. PHV241/341/441 Credits: 3.0
Prerequisite(s) Video/Digital Cinema I: Screen Grammar
This is an advanced elective video course: This course is designed to improve observational, analytical, organizational, creative and production skills. Students will explore the ways in which digital technology can transform contemporary visual culture, and fracture the predictable. Students will be encouraged to experiment with new presentation methods, and develop innovative techniques for combining sight and sound, light and word. Required of Photo Majors in the Video track. Open Elective. Prerequisite: PHV 297 Video/Digital Cinema I or permission of the faculty.
Course No. PHV294 Credits: 3.0
This course prepares students for careers as photographers in the advertising and magazine fields. Students will learn the inner workings of those industries and determine how they can market/promote themselves within them. Students will learn how to carry out and meet the expectations of art directors and photo editors while providing creative input of their own. Emphasis is placed on networking, negotiating and understanding contracts as well as building a professional portfolio. This course equips students with skills required to work confidently in the production of editorial photographs, in partnership with editors, art directors, designers and writers. Students gain experience in working within a professional collaborative environment. Students are exposed to the inner workings of these professions and prepare their portfolio as a means to market and promote their work. Students learn how to carry out and meet the expectations of art directors and photo editors while providing creative input of their own. Emphasis is placed on professional business practice, negotiating contacts, and securing image rights. This course will be of special interest to Communication Design and Illustration students. Assignments are designed to simulate practical work experiences.
Barry Underwood is an Assistant Professor and chair of the Sculpture Department at the Cleveland Institute of ...more
While at CIA, you'll learn from the masters through our rigorous, world-class curriculum and connect with working professionals to begin your career.