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Jul 23, 2014

Professor's productive year saw exhibitions, acquisitions, residencies, travel, and press

View details 2014 Student Summer Show

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May 19, 2014

2014 Student Summer Show

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Jul 22, 2014

CIA grad's iconic monument to be rededicated

View details 60 Looney Tunes cartoons coming to the Cinematheque

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Jul 05, 2014

60 Looney Tunes cartoons coming to the Cinematheque

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a day ago via Facebook

Lakewood artist creates statue of former Cleveland Indians player Jim Thome. Read more: http://ow.ly/zNvCA

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Jul 22, 2014

Thursday night concert series rocks CIA's neighborhood

View details 2014 Faculty Exhibition

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Aug 28, 2014

2014 Faculty Exhibition

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Jun 25, 2014

Cuyahoga County unveils county seal designed by CIA student

View details 2014 Faculty Exhibition Opening Reception

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Aug 28, 2014

2014 Faculty Exhibition Opening Reception

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Jul 29, 2014

7/31-8/2: Looney Tunes finale, The Double, Brasslands & more!

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Aug 20, 2013

CIA named one of the "Best in the Midwest"

View details Filmmaker and author John Waters to present one-man show

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Sep 27, 2014

Filmmaker and author John Waters to present one-man show

Academics . Courses

Courses Courses

The Printed Image in Enamel

Course No. ENA448.1  Credits: 3.0

The focus of this course will be on the use of the printed image with the medium of enamel. Photographs, photocopies and digitally produced and enhanced images will be transferred to the medium through acid etching, silk-screening, decals and photographic transfers. The emphasis will be on the use of enamel on the two-dimensional surface, although those with metal forming experience may explore three-dimensional forms in combination with the processes above. Required of enamel majors. Open to electives. 3 credits.

The Rhetorical Object: Conceptual Constructions

Course No. SCU370/470  Credits: 3.0
Faculty Christian Wulffen | Christopher Whittey | Sarah Paul | William Lorton
Prerequisite(s) Intro to Sculpture: Basic Materials & Techniques | Sculpture: Aesthetic + Functional Structure

This course focuses on student intent with regard to artistic production and their ability to allow for audience entry into a dialogue concerning the conceptual issues forwarded by their work. Students are expected to identify the content of the work they would like to explore via a rhetorical method that embraces an interconnected relationship between practice and theory as part of a project-based approach for the production of self-directed work. Required at the junior level for all Sculpture majors and open to all junior and senior level students. Prerequisites: SCU229 Basic Materials: Processes and Techniques OR SCU229A Fundamental Structure: The Aesthetics of Materiality.

The Rhetorical Object: Conceptual Costructions

Course No. SCU470.1  Credits: 3.0
Prerequisite(s) Intro to Sculpture: Basic Materials & Techniques | Sculpture: Aesthetic + Functional Structure

This course focuses on student intent with regard to artistic production and their ability to allow for audience entry into a dialogue concerning the conceptual issues forwarded by their work. Students are expected to identify the content of the work they would like to explore via a rhetorical method that embraces an interconnected relationship between practice and theory as part of a project-based approach for the production of self-directed work. Required at the junior level for all Sculpture majors and open to all junior and senior level students.

The Tactile + The Digital: Painting in the New Century

Course No. PTG21X  Credits: 3.0
Prerequisite(s) Intro to Painting: Painting History: 1828-Present

The focus of this course is the role of Painting in the digital age. Students will use varied media and subjects, traditional and non- traditional, to further develop analytical and expressive means in their painting and creative practices. Students are encouraged to draw from personal interests and from many disciplines to develop projects that will be presented to the class for group critiques. Through slide presentations, gallery visits museum shows, and readings, information will be presented relating to the current art scene in order to further the student’s personal vision, help clarify directions, and explore a variety of formal, conceptual, and technical approaches to painting and image-making. Projects will address, among others, ideas and forms of light and space, color relationships, means and meanings of representation, text and texture, and gender, social and political issues. This course is open to all students with the prerequisite of Intro to Painting or with the permission of the instructor.

Three-Dimensonal Forms in Enamel

Course No. ENA247/347/447  Credits: 3.0
Faculty Gretchen Goss
Prerequisite(s) Enameling: Three-Dimensional Forms with Enamel

Advanced students having already taken Three Dimensional Forms and Enamel will work independently on advanced assignments and research that correspond to the schedule of critiques and demonstrations given to the entire class. Required of enamel majors. Open to electives. Prerequisites: ENA347 Enamel: Three- Dimensional Forms with Enamel.

Three-Dimensonal Forms in Enamel

Course No. MET 247/347/447  Credits: 3.0

The emphasis of this course will be applications of enamel on the three dimensional form. Enamel used in functional, decorative, jewelry or sculptural context may be explored. Metal forming and fabrication techniques that apply specifically to the use of enamel will be introduced. Beginning enameling skills required for three-dimensional forms will be covered.



TIME - Intern

Course No. TIM499.1  Credits: 3.0

Time-Based Strategies

Course No. SCU235X  Credits: 3.0
Faculty Marc Tomko

This course will provide students with an opportunity to investigate the concepts and practices of various time-based media arts. A basic introduction to the processes of video art, sound art, and media installation will serve as the basis for the production of several projects. Assignments will be grounded in the development of media literacy, media ethics, dissemination techniques, and teamwork.

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