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Cinematheque

Academics . Courses

Courses Courses

Peru Before Pizarro

Course No. ACD356.1  Credits: 3.0

The great empire of the Inca was toppled by the Spanish conquistadors under Francisco Pizarro in 1532. The Inca name is familiar to us because they were the last great civilization of the Andean region, but they were preceded by a whole series of cultures that existed along the coastal deserts of Peru and in the valleys of the towering Andes Mountains. In this course we will study the way of life of these people and the artistic traditions that trace back over 3000 years, manifest today in surviving earthworks, architecture, sculpture, textiles, pottery and metallurgy. Previously undisturbed tombs have yielded new riches, but earlier finds have provided us with textiles that are over 2000 years old. Students in fiber, ceramics, and metals should find much of interest in this course. Visual Culture Emphasis course. 3 credits.

Pho/VAT: Installation & The Constructed Object

Course No. VAT426.1  Credits: 3.0

This course is a special topic course designed to cover the design, construction and lighting of installations, stage sets, and performance spaces. Students will investigate contemporary applications and approaches to subjects specifically composed for the camera, and document installations that exist outside of the studio environment, with an emphasis on the genre's relationship to historical and contemporary theatre. Workshops include traditional camera formats, digital cameras, advanced studio lighting, basic electricity and carpentry, with an emphasis on scenery design. Students will plan and create small-scale models of stage designs; scale up these designs, and document their design. This course will be of special interest to students working in both installation and industrial design. Open to all students. 3 credits.

Photo Archive, Book + Portfolio

Course No. PHV 350  Credits: 3.0

This course advances the student’s knowledge of professional practice standards for archival media, emphasizing the photographic book and photographic portfolio. Work is project-based, focused on production of portfolios and books that incorporate the photographic image as an essential element. The photographic image is considered in context relevant to its function as primary artwork, documentation, as record of process or used in reference to concepts. Portfolios and photographic books are explored as an individualized expression of one’s professional work. Required for Photography majors in the Photo track. Open elective. Prerequisite: Digital Photo Imaging I or instructor’s signature. Offered spring.



Photo I: Mechanics of Digital + Darkroom Photography

Course No. PHV 295  Credits: 3.0
Faculty Joseph Minek | Nancy McEntee

This class will cover the fundamentals of film and digital 35mm SLR cameras, optics, exposure ratio, black and white film processing and basic silver and digital printing techniques. Lectures address black and white darkroom processes, digital workflow, file archiving, and output for various applications. Introductory lighting tools and documentation of artwork for professional applications is covered. Required for Sophomore Photography majors. Open Studio Elective.

Photo Major 2.1: Narrative Structures

Course No. PHV 267  Credits: 3.0

Narrative Structures is an intensive study in visual thinking for the photography major designed to utilize the creative potentials for both single and multiple image narrative. In this course, students investigate visual narrative constructs for linear and nonlinear storytelling with both digital and film-based media. The course encourages interdisciplinary experimentation to examine methods of production for traditional, digital and diverse media to communicate both idea and process. Required for sophomore Photography majors. Offered fall.

Photo Major 2.2 Digital Photo

Course No. PHV 201M  Credits: 3.0

This is an advanced studio course directed for the photography major that provides the technical and aesthetic fundamentals of digital photographic imaging for creative application. Students gain experience and skill working through each step of the production process, from image capture to computer modification, manipulations, and enhancement of images. This course fosters an engagement in a comprehensive digital workflow focused toward the production and presentation of professional quality work for portfolio and exhibition. Students gain proficiency in the use of Adobe Photoshop CC, Adobe Bridge, Camera Raw and Lightroom 5 to make use of the creative options this software facilitates. Required for sophomore Photography majors. Offered spring.



Photo: Alternative Processes

Course No. PHV 291-391-491  Credits: 3.0
Faculty Mary Jo Toles
Prerequisite(s) Photo I: Mechanics of Digital + Darkroom Photography | Digital Photo Imaging I | Digital Photo Imaging I

This course investigates the historical processes, contemporary practices, and concepts of alternative photography. This includes non-silver techniques, hand-applied emulsions, chemical, digital and hybrid processes for photographic imaging. Processes demonstrated may include Cyanotype, Van Dyke Brown, Wet Plate Collodion, Platinum-Palladium, Liquid Emulsion and silver and non-silver toning options. Large format negatives for non-silver processes are generated using conventional film cameras, paper and digital negatives as well as photogram and pinhole photography. This course is project-based, involves research and experimentation, and is conducted through hands-on demos and instructional workshops. Open Studio Elective. Recommended for Photography majors. Prerequisites: PHV 295 Photo I: Mechanics of Digital + Film Photography; PHV301 Digital Photo Imaging I, or instructor signature.

Photo: BFA Portfolio + Exhibition

Course No. PHV 496M  Credits: 3.0
Faculty Nancy McEntee

Students enrolled in this course build a cohesive portfolio of work to be presented professionally, at their Bachelor of Fine Arts Exhibition and complete their written Thesis. Students refine conceptual and technical aspects of their own and assignment-based work. Individual BFA Thesis projects are contracted with each student along with calendar dates for all phases of work to be completed. The course format maximizes the potential for dynamic group interaction and facilitates essential one-on-one exchange with faculty and individual students. Within critique and classroom discussion, relevant contemporary, historical, theoretical, and artistic practices are discussed. Faculty provides a balance of assignments, lectures, critiques, visiting artist lectures, workshops and demonstrations as needed. Professional practices and development of an artist exhibition are covered as part of this course. Senior Photo majors are presented with many opportunities to present work to gain the confidence and skills necessary to communicate to a broad range of audiences. Senior Photo Majors are expected to participate in local, regional and national exhibitions. Graduating students are also required to conduct regular meetings with members of their BFA Advisory Committee throughout the semester. Required of Senior Photography majors. Offered spring.

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Pre-College Program

Sharpen your artistic skills at CIA's Pre-College Program this summer.

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SPECTRUM CIA 2015

Save the date. Four celebration events.

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