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Illustration

Academics . Illustration . Faculty . Lincoln Adams

Illustration

Lincoln Adams

Lincoln Adams

Title Lecturer
Department Illustration
Phone 216.421.7000

Courses  Acting + Directing | Concept Development I | Drawing for Animation | Narrative Production I | Storyboarding + Sequential Art

Lincoln Adams has worked for over 17 years as an illustrator, storyboard artist and designer. His projects have included magazines, television shows, character design, book covers, and greeting cards and was selected to the 47th Annual Society of Illustrators West Show in Los Angeles.

Recently, he finished work on the popular animated shows: Barbie: Spy Squad, Max Steel, Slugterra, Monster High, Veggie Tales and Doc McStuffins. He is also currently working with Disney sculptor and CIA alumnus Zack Petroc on a sculpted novel, and has completed his fourth picture book.

Lincoln moves fluidly back and forth between traditional, tactile mediums and digital mediums to execute ideas— often times incorporating both within a piece. A firm believer that the traditional informs the digital, he continues training and experimenting in both. Lincoln's primary tactile mediums include oils, wax crayon and colored pencil, and monoprints. His digital expertise includes the use of

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Lincoln Adams has worked for over 17 years as an illustrator, storyboard artist and designer. His projects have included magazines, television shows, character design, book covers, and greeting cards and was selected to the 47th Annual Society of Illustrators West Show in Los Angeles.

Recently, he finished work on the popular animated shows: Barbie: Spy Squad, Max Steel, Slugterra, Monster High, Veggie Tales and Doc McStuffins. He is also currently working with Disney sculptor and CIA alumnus Zack Petroc on a sculpted novel, and has completed his fourth picture book.

Lincoln moves fluidly back and forth between traditional, tactile mediums and digital mediums to execute ideas— often times incorporating both within a piece. A firm believer that the traditional informs the digital, he continues training and experimenting in both. Lincoln's primary tactile mediums include oils, wax crayon and colored pencil, and monoprints. His digital expertise includes the use of the Cintiq via Photoshop and InDesign, and Storyboard Pro.

However, even with all of the various approaches to technique and execution, one thing stands out as the most vital component in Lincoln's work— Story. And it is what is what he espouses in all of the courses he teaches as the chief ingredient toward success in the entertainment art world.

Client List:

Dreamworks Television Animation
Walt Disney Television Animation
Lucasfilms
Acclaim Entertainment
Big Idea Entertainment
Nerdcorps Entertainment
Rainmaker Entertainment
Seven Folds Film Productions
Arnold Worldwide
Brown Bag Films
Spider Eye Animation
Zack Petroc Studios
Hurst Animation
American Greetings
General Motors

To learn more about Lincoln read his interview at Animation Insider!
http://www.animationinsider.com//?s=lincoln+adams

Degree BFA, Cleveland Institute of Art, 1998

Illustration students wow the crowd at comics con

Illustration students wow the crowd at comics con

Illustration students in Adjunct Professor Bradley Ricca's Graphic Narratives class wowed the crowd at the fifth annual Genghis Con Comics and Arts Festival.

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