Dec 06, 2013
New video highlights George Kozmon's playful work
Nov 02, 2013
Cinematheque to show eight classic comedies by Ernst Lubitsch
Dec 02, 2013
Industrial design grad gives TEDx talk on creative play
Nov 08, 2013
2013 Fall Exhibition
about 2 hours ago via Facebook
Nerf designer and Industrial Design grad Aaron Mead '01 recently demonstrated his approach to designing for creative play at TEDxChemungRiver in Corning, New York. Read more at http://ow.ly/rDPWM.
Dec 02, 2013
CIA's Contemporary Artist Index: 31,000 strong, and now easier to use than ever
Dec 10, 2013 @ Front Room Gallery in Cleveland, OH
Rush Limbo Exhibition
Nov 22, 2013
CIA wins UCI award for Euclid Avenue ArtBox project
Dec 13, 2013 @ CWRU White Building, Room 411 in Cleveland, OH
CWRU + CIA game design final presentation with Microsoft Game Studios
Dec 10, 2013
12/12-14; The Last Time I Saw Macao, White Reindeer, Two by Lubitsch
Degree MFA, School of the Art Institute of Chicago; BFA in Photography and Design, Cranbrook Academy of Art
Professor of Photography and Digital Imaging at the Cleveland Institute of Art, Toles has contributed in her field as an arts educator for over two decades. Recognized for her development of experimental processes related to high-voltage photographic imagery, she is an inventive contributor in her field. Her work can be located in collections nationally, including the John D. and Catherine T. MacArthur Foundation, Museum of Contemporary Photography, Chicago, First National Collection in Chicago, State of Illinois, State of Florida. Her work has been published in the US, Japan and Germany. Exhibitions include the Corcoran Gallery, Washington D.C, Boston Photographic Resource Center, SPACES Gallery, MOCA-Cleveland, and the Kohler, Akron, Cleveland, Columbus, and Grand Rapids Art Museums. Current work engages digital print technologies with early nineteenth century photography and optics, often combining photographic images with sculptural components. She creates digital negatives from an assortment of optical equipment and inventions, coupling these with unique alternative processes for both chemical and digital output. Inspired by her experiences in Provence, heart of photography’s early inventions, with a love of art, science, and critical thinking, she is an alchemist among photographers, with a desire to engage the multidisciplinary scope and interconnections inherent in this media.
Prof. Toles is a recipient of Ohio, Florida and Illinois Arts Council Individual Artist Fellowships and National Endowment for the Humanities project grant. She represented the state of Ohio as an Artist in Residence at Cimelice, in the Czech Republic.expand collapse
Title Assistant Professor/Chair of Painting
Degree MFA from Clemson University in the discipline of painting and a BA from Michigan State University in ceramics.
Tommy White, born in Detroit, received his M.F.A. from Clemson University in the discipline of painting and a B.A. from Michigan State University in ceramics. His work is included in many private collections as well as the permanent collections of the Mobile Museum of Art in Alabama, Binney and Smith, Inc. (former manufacturer of Liquitex products), and the Capital One Corporation. He has exhibited in nineteen states, the District of Columbia, Melbourne, Australia, and Seoul, South Korea. Prior to becoming Assistant Professor of Painting at the Cleveland Institute of Art, he spent three years teaching painting and drawing at the University of Oklahoma and nine years with Virginia Commonwealth University as an educator and administrator. He maintains a professional working studio in Cleveland Heights, Ohio.expand collapse
Adrijana Wichert Nerone
Title Adjunct Faculty
Phone 216 421-7000
Courses Digital Colorexpand collapse
Degree Freie Kunstschule (Independent Art School) Nurtingen (Germany)
Academy of Fine Arts at the Staatlicen Akademie der Bildenden Kunste (State Academy of the Fine Arts), Stuttgart (Germany) MFA
Christian Wulffen has been an Associate Professor since 2003.
I am concerned with how artists achieve knowledge and how they structure knowledge. This intersects with my concern as a teacher and artist, to encourage participants to reflect on the processes that an artist goes through--for example, an intuitive creative thinking process, intentional purposeful engagement, and adherence to a model or system.
These thought processes can be contextualized further by situating them within larger theories of knowledge production, as outlined by W. J. T. Mitchell: “semiotics, structuralism, deconstruction, system theory, speech at theory, ordinary language philosophy and now image science or critical iconology”.
To convey this notion of action as a mode of knowledge production, I use specific symbols for my work, one of these: boards that are pre-manufactured with three vertical slots and one horizontal slot (plywood).
From the viewer’s perspective, the board has the option to hold various information. From my perspective, I see this as a concept to display information to exercise the different links in its display from one board to another. My environment is a grid—one of the hallmarks of modernist abstraction and capable, as a visual symbol, of signifying a whole system of art production and thought. This idea is depends on the perspective of the viewer and how that viewer is situated in a distributed network of production and reception of the information about this subject.
Crucially for me, the painting, the paper, and the board (as in my recent production), simulate the portability of information. I am interested in its mobility as a sign in which sender and recipient receive the same information but decode it differently depending on their respective environments.expand collapse
Title Visiting Instructor
Courses 100 Drawings | BFA Production + Independent Research: Production, Conveyance + Presentation | Collage + Assemblage | Drawing I | Drawing II | Drawing: Intro to Advanced Observation, Illusionism, Concept | Drawing: Style Context | Painted Bodies: The Contemporary Figure | Painting After the Photograph: Painting in the Age of Mechanical Reproduction | Painting: Constructing Narratives
Degree MFA., Kent State University; BFA., Pratt Institute
Royden is a Visiting Instructor in Painting, Foundation, and Drawing at The Cleveland Institute of Art. He has tought at Kent State, Oberlin Colledge, and Case Westerjn Reserve University. Royden's work has shown in galleries in Ohio, Utah, and Germany.expand collapse
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