Apr 17, 2014
Design major gets zombie's reception at her former school
Mar 15, 2014 @ MOCA Cleveland in Cleveland, OH
CIA's Traveling Sketchbooks make a last stop at MOCA
Apr 16, 2014
CIA's 'focused workshop environment' paid off
Mar 28, 2014
Dinner by Design – Art of the Table, and a runway show
about 11 hours ago via Facebook
The Cleveland Institute of Art wishes you a happy spring. Artwork by Christina Blaschke '15
Apr 15, 2014
Students win $11,000 in Dealer Tire art competition
Mar 28, 2014
The Accident: Recent Work by Nicky Nodjoumi
Apr 11, 2014
Romanian visiting artist brings new perspective to CIA
Apr 22, 2014
2014 Spring Illustration + Animation Show
Apr 15, 2014
4/17-19: Benicio Del Toro in Jimmy P, Hitchcock's To Catch A Thief & more!
Academics . Courses
Contemp Color Photograph: Digital & Film
Course No. FVPA425.1 Credits: 3.0
This course is designed to investigate the contemporary applications of color in photography while developing a working knowledge of color theory in relationship to photographic practice. The course includes a wide range of color-based practices and techniques as well an exploration of subtractive and additive color as they pertain to digital and chemical photographic processes. Studio lighting and the interaction between light, pigmentation, and photographic materials, will also be covered. This course will be of special interest to illustration, drawing and painting students. Note: This is a required course for Photography Majors. 3 credits.expand collapse
Contemporary African + African American Literature
Course No. LLC359 Credits: 3.0
Today a good deal of Third-World literature in particular expressed in many vital respects postmodern historical awareness of the parmountcy of the power relations hidden behind political, economic and social institutions and structures both nationally and internationally. With particular emphasis on political economy, this course will examine how this literature re-contextualizes such critical sociological questions as: What's traditionalism? What's modernization? The African-American texts highlight African-American socio-economic challenges today, dating back to Emancipation/Reconstruction, alongside their efforts at socio-cultural self-definitions. Fulfills Humanities/Cultural Studies distribution requirement. Creative Writing Concentration course.
Contemporary Art: Andy Warhol
Course No. ACD464.1 Credits: 3.0
Andy Warhol was the most influential high artist of the second half of the twentieth century. After a successful career as a decorator, he became on of the founders of pop art. He became the only pop artist who, achieving general fame, became a culture hero. Apart from painting, Warhol also made films, directed the Velvet Underground, and important innovative music group, and was involved with creative writing. And so, not surprisingly, his achievement has been hard to bring into focus. Traditional art historians have described his stylistic development, interpreting his paintings. But many other approaches to his are art possible. Arthur Danto has described the philosophical significance of Warhol's achievement; cultural historians have discussed his role as a gay artist; and attention has been drawn to the importance of his lifelong interests in religion. Warhol has become a significant subject for scholarship in part because his body of art poses significant interpretative challenges. We will do a close reading of some biographies, and also look at some of Warhol's own writings. Visual Culture Emphasis course. 3 credits.expand collapse
Contemporary Art: Critical Directions
Course No. ACD493.1 Credits: 3.0
Traditionally art historians have focused on the history of European art. But recently there has been great interest in art of other cultures. Is a history of world art possible? And if so, what form might it take? This course explores that question. We read Richard Wollheim's aesthetic focused on European art. And then we discuss James Elkins, Stories of Art, which attempts to imagine a history of world art. We then pursue our investigation by reading recent accounts of Islamic art (Oleg Grabar, The Meditation of Ornament), Indian art (Partha Mitter, Indian Art), and Chinese art (Craig Clunas, Art in China). This class requires a good deal of reading. It does not presuppose any prior knowledge of art history or aesthetics. Three papers, two short ones and one long one will be required. There is no final exam. Visual Culture Emphasis course. 3 credits.expand collapse
Contemporary Color Photography: Digital + Film
Course No. PHV225/325/425 Credits: 3.0
Faculty Michael Wallace
This course is designed to investigate the contemporary applications of color in photography while developing a working knowledge of color theory in relationship to photographic practice. The course includes a wide range of color-based practices and techniques as well an exploration of subtractive and additive color as they pertain to digital and chemical photographic processes. The interaction between light, pigmentation, and photographic materials, will also be covered. This course is required for Photography majors and is open as an elective to other students. Offered fall.
Contemporary Marketing + Art Direction
Course No. GDS367 Credits: 3.0
Faculty Larry O'Neal
Focuses on using communication design and visualization skills to communicate ideas in print and in new media. Heavy emphasis on conceptualization. Classroom discussions along with critiques set up to mimic actual creative department environment. Offered fall.
Creative Process + Materials Studies
Students focus on the creative process and material studies across the craft majors. From inspiration to the production of multiples, each major explores design and making through their respective mediums as well as other materials. Sophomores in the Craft + Material Culture environment address common themes while working in their respective major: Ceramics, Glass, and Jewelry + Metals. The course affords the integration of skills and knowledge from foundation including drawing, design, color, digital synthesis, and collaboration, with the practices related to the full scope of the Craft + Material Culture major programs. Offered fall.
Creative Resistance: Media Art in Social Sphere
Course No. IME340.1 Credits: 3.0
This studio course will introduce students to the process and strategies of integrating social activism with media art. Through reading and discussion, the course will establish the historical and theoretical context of tactical media, hacktivism, and other media-based protest arts. We'll look at artists' use of a variety of media--including the news media, the internet, locative media, surveillance technologies, genetic modification, gaming and more Ñ to implement social commentary and criticism. Offered fall. 3 credits.expand collapse
While at CIA, you'll learn from the masters through our rigorous, world-class curriculum and connect with working professionals to begin your career.
Sharpen your artistic skills at CIA's Pre-College Program this summer.
Nicky Nodjoumi and Dinner by Design exhibitions
CIA welcomes spring with two very different shows opening on March 28.
Cores + Connections
Learn more about CIA's proven method for academic and professional excellence.